There was a line of black inlay (or ebony layer) along the centerline of the back of the neck. Larrivee Serial Numbers (approximate). The body dimensions basically match the LG-series: 14 1/8 wide by 19 1/2 long by 4 1/2 deep. Width at nut 1 11/16, scale 24 3/4. It had a double ring of purfling around the soundhole, pearl dots on the fretboard, dark stained birch back and sides and The Gibson stamped on tailpiece cover. Sunburst finish changes slightly: a cremona brown fading from the center amber to a reddish brown perimeter. The pot fairly screams Iida to me. The following numbers are the earliest known serial number for the year listed. For example: B&D had several un-numbered models between 1913 and 1920. The 1975 price was $659. For more detailed information, get the following book: The Larsons Creations Guitars & Mandolins by Robert Carl Hartman. Many banjo manufacturers, in addition to making banjos under their own names, Yet somehow, there's a certain cool factor to this one. Not many were sold and the production run was therefore limited to 2 years. As a consequence, the details were grand in scale and the bindings high in contrast to look good in black and white on the silver screen. The new design was thinner and much easier to handle and play. Prices were typically 30-40% more than other Gibson solid bodies; the Les Paul Recording, LP Custom and SG Custom. 1921 onward: Metal 90-degree pickguard support screwed into the body and additional screw to the neck. The Lyon & Healy peghead shape used on most of There were 2 tone bars and a treble side X brace with a 102 degree angle about 1 below the 4 soundhole. C-series Factory location: Hinsdale, New Hampshire from 1973 to 1979, D-series Factory location: West Sansei, New Hampshire from 1980 to 1981, The designation S refers to the body size: 2 & 3 (increasing with number value). This was quickly reduced to avoid model confusion between the J-45s and the more expensive Southerner Jumbos. The 5th string is a crucial distinguishing characteristic of the five-string banjo, both in the instrument's appearance and in the sound of the music. F/FF = Factory code (No factory designator for some 1993 and earlier models) Y/YY = Year of manufacture (Single digit for some 1997 and earlier models) MM = Month of manufacture. Ohio banjo player Steven Moore has his first solo project, Just a Little Talk with Myself, just recently released. The following are believed to be accurate known numbers: The following serial numbers are approximate at best. The passage of time confuses matters even further: They made some non-SilverBell models that had been developed in the 1930s that bore the B&D label like the Seniorita, and some later Gretsch SilverBells that carried only the Bacon label. Modern Gibson Logo open "b" and "o". All Rights Reserved. 2 foot pressed arm rest and flat head tone ring. At least one model, the Epiphone Spirit, was manufactured in the USA during the early 1980s in the Gibson factory in Kalamazoo, MI. Gibson Size 3 Gurian, either acoustic or amplified. Serial Numbers. The Mark Series, though not a wild success in terms of overall sales, did sell reasonably well. A New Leaf from Steven Moore. LoPrinzi Guitars most from Plainsboro New Jersey. banjo headstock identification new harrisonburg high school good friday agreement, brexit June 29, 2022 fabletics madelaine petsch 2021 0 when is property considered abandoned after a divorce Frets refers to the number of frets that are clear of the body. Presentation banjos often turned up at NAMMand other shows. The banner only a Gibson is good enough logo is replaced with the old style Gibson script gold logo, The blond J-50 is introduced (limited until 1954), Bracing system changed: non-scalloped, low cut braces, Larger pickguard with point at upper bout, Headstock appointments: pearl logo inlay and crown added, Adjustable bridge saddle offered as an option called J-45ADJ. In general, higher model numbers meant more binding and ornament. 2005-2023 acousticmusic.org. This is a strong playing. Also, the first batch of J-45s had more binding both on the body and soundhole. serial number impressed to verso, 60 cm long B. Schall (1878-1907) manufactured many unmarked banjos for Gibson needed to revitalize its lineup of flat-top guitars the LG-Series was born. They were the J-45 and the Southerner Jumbo. Some laminated maple necks with two walnut stripes down the center (5 piece neck), most with no truss rod (war time meallocations), Neck shape large and round (Baseball Bat) due to lack of truss rod, Poplar neck blocks. Similar to an A2 except for the top color: an orange top in the teens, and a white top (refrigerator-top) in the late teens and early twenties. There can easily be more numbers within each year listed. The space between the headstock center and the top of the lathe bed is the radius of the lathe swing. The birch sides and back were stained red. Rated 5.00 out of 5. Rettberg & Lange (1898-1920) banjos were initially similar to Buckbee-made Early 1970's block shaped no dot over the "i" closed "b" and . G Edward Porgie - Posted - 06/16/2021: 14:40:30. Acoustic guitars are punched inside the soundhole on a sticker behind the strings. middle-sized, chrome tuners. The focus of the site is antique and vintage banjos and mandolins, but there are . The more economical Student Grade instruments were often ladder braced. The Gibson CF-100 was introduced in 1950 (the CF-100E was introduced 1951) and discontinued in 1960. Late 1974 gold covered recording pickups are replaced with humbuckers. Martin introduced the large body dreadnaught in 1932 It was bigger, bolder, and louder than anything Gibson had to offer. In any event, these should be used only as a guide and not assumed to be absolutely correct. MK-81 models were rosewood back & sides, ebony fingerboard with figured abalone block inlays & gold plated hardware. All listed sizes are for 12 fret to body models: These dimensions were similar for all Larson made instruments. 541 Concert: rosewood back & sides with colored wood appointments. I visited his place once when I was kid (probably mid - late 1970's) and his finished basement was filled with guitars, banjos, lots of different instruments. The 5th string on a banjo lies within easy reach of the right-hand . They had dot markers on the fretboard and a moustache bridge with individual adjusters on each string. The Gibson LG series of flat-top guitars were developed as the natural evolution of the earlier L-Series. Huber Banjos offers our new owners the option of either customizing one of our stock models, or "designing your own dream banjo" from among the various wood and metal configurations, and the many . They are essentially an Advanced Jumbo with minor compromises: they filled a gap between the J-35 and the J-55. 1978 $1079 Tobacco sunburst is dropped for Fireburst; Maple is now described as Natural. One of the advantages of choosing a banjo made in a small shop environment is the easy availability of customization. This was adapted to the mandolin over the next few years. (Folk Jumbo Natural and Folk-25). ', 'Pisgah 12 Builders Choice Custom Walnut Dobson 5+1 String Banjo', 'Custom 12inch Billybilt Banjo w Figured Maple neck and Curly maple RIckard Pot and Balch head', '11inch Billybilt Banjo with Antique Spunover SS Stewart Pot and Curly Maple neck'. Gretsch appears to have started a new numbering system at about that time. Introduced is the year of introduction. $ 5,719.00 $ 5,149.00. The last of the Mark Series was built in 1979. Edited by - mikehalloran on 12/27/2013 17:30:00, Charles in SC - Posted-12/27/2013: 20:38:42. See the notes below. The bass of this model will amaze you, and of course the clear brilliant treble is in perfect balance. For once, the hyperbole may have been closer to the truth. banjos. The original Factory Order Numbers (FON) appear to show the first De Luxe Jumbos were delivered bewteen March and June of 1938 to Joe Wolverton, Ray Whitley and Gene Autry. Higher numbers also meant more money. The Southerner Jumbo (later shortened to: Southern Jumbo and then SJ) was a fancier J-45. I like it. There were 1229 made. They didnt sell well but did live up to their design intent of a. heavier, booming tone with good overall balance. Pickguards between 1909 and 1921 +/- show a stamped patent date of Mar. ECL changed its name shortly afterwards to: Norlin Inc. for ECL president Norton Stevens and CMI president Maurice Berlin. and What's it sound like? serial number 8382, New York, circa 1920s, intricate abalone shell inlay to fingerboard and headstock which also bears the Company logo. The 1934 version had a classic Gibson sunburst: the small amber center around the bridge about 1/4 of the top area. Gibson had helped in the war effort and seen many employees enlist. The examples weve seen vary from the Gibson catalogs quite a bit. LG-0 | Introduced 1958 | Discontinued 1973, LG-1 | Introduced 1947 | Discontinued 1968, LG-2 | Introduced 1942 | Discontinued 1962, LG-2- | Introduced 1949 | Discontinued 1962, LG-3 | Introduced 1946 | Discontinued 1963, B-25 | Introduced 1962 | Discontinued 1976, FJ-N | Introduced 1963 | Discontinued 1970, F-25 | Introduced 1963 | Discontinued 1970, B-15 | Introduced 1967 | Discontinued 1970, Brazilian rosewood rectangular through bridges, 2 screws in the bridge with MOP dot covers, Basically the same as LG-1 with a mahogany top, Single plastic tortoise shell binding top and back, Narrow neck design with 14 degree headstock angle, Same basic guitar as LG-2 with average wood, Wood imperfections covered by a dark sunburst, Tall scalloped braces change to low-profile rough cut, Enlarged rectangular bridge with closed slot, Fire striped plastic pickguard teardrop shape, Last use of the Banner decal on headstocks, Basically the same as an LG-2 with better materials, Bottom belly rosewood bridges with adjustable saddles, Back, sides and neck finished in walnut stain, Body shape: 16 wide, round shoulder dreadnought shape, Top: Select spruce, 2-piece bookmatched with scalloped X-bracing, Neck: mahogany, single piece, unbound, 19 fret, dot markers, Bridges: Rosewood belly-down. The 2nd delivery to Ray Whitley was the more refined 14 fret SJ that is so well photo-dicumented. See more ideas about banjo, guitar inlay, mandolin. To most people all banjos look (and sound) the same. Similar to A, but with double purfling on the soundhole. Find the worth of your vintage banjo from 1920s to 1970s. The original V shape of the necks of the J-35s was replaced by distinctly round necks (baseball bats) and a tear drop pickguard. The binding on the top is b/w. The following versions evolved quickly to 14 frets clear of the body. In late 1 the use of factory order numbers was discontinued. The tuners were individual Kluson with amber buttons. The 1975 price was $879. If you continue, we will assume that you agree to, http://www.banjohangout.org/archive/276603, 'Pisgah Banjo Co. raffle for Arnold Shultz Fund extended to March 10, 2023', 'Pisgah Banjo Company banjo raffle extended to March 10', 'Flinthill FHB-300 - Killer bluegrass banjo for the money! Made in USA. Body designation Style designation, Serial number. Western movies were tremendously popular and the singing cowboy heroes needed instruments as big and bold as untamed West. MK-35-12 models were only made in 1977. They were now able to get better materials. Have a vintage Harmony guitar? in the third row of pictures below: Lyon & Healy (1864-1940) made many grades of banjos in many styles, The best way to date Larrive instruments is by the instrument labels. The early models had shallow neck sets that increased in angle around 1908. The sunburst finish was generally $30 less than natural finish. I have an open back banjo with a number 44 stamped in the ring, and May 2, 1899 carved in the support on the backside. RRRR = Ranking number (may be more or less digits) Example: 3021234 = Samick Korea / 1993 / February / unit 1234. Cherry Sunburst is still available. Kay company banjos were normally not that high-quality but this one is different. Following many prototypes, shapes and bracing patterns, the Mark Series was launched in 1975. During the period of 1909 through 1920 Gibson produced large numbers of mandolins. 3 special model, serial number 8382, New York, circa 1920s, intricate abalone shell inlay to fingerboard and headstock which also bears the Company logo. Augustino LoPrinzi Guitar Maker Clearwater Florida (LoPrinzi name bought back from AMF) Instruments designed and built by Augustino and Donna LoPrinzi (daughter). Instruction * ConcertsJams * More thin heel footprints as shown below in the second row of pictures: J. Buy in monthly payments with Affirm on orders over $50. Factory Order Numbers (FON) include the 2100s to 2500s, The adjustable truss rod reappeared in 1944, Tuners cogs got slightly thicker and with beveled edges. The intent is to provide a rough dating guide. Gold-plated tuning gears, LOTS of abalone inlay. Information compiled by Leonard Wyeth 2008, L Wyeth, Century General Introduced 1933 for the Century of Progress Exhibition @ $55. The early models had shallow neck sets and low bridges that increased in angle around 1908 with taller bridges. Between 1934 and 1938, Gibson only offered the sunburst finish. The L-5S was the first high end jazz solid body guitar. The Gibson stamped on tailpiece cover. 118 Midtown Ct # M The hardshell case had a green or red silk lining. . The choice to discontinue the Mark Series had to do with the general turmoil of the Gibson company in the last years of ownership by Norlin. The current bridge height and neck angle was reached around 1910. Naming the parts of a banjo. Similar to A-2 but with snakehead headstock, blonde finish, b/w binding, and A2-Z on the label. 1975 $899 The first catalog appearance of the L-5S was in the 1975 Gibson Solid Body catalog. DVD-quality lessons (including tabs/sheet music) available for immediate viewing on any device. There's a small snag in the outer pocket webbing - otherwise it's like new. They were mahogany back & sides with single layer binding front and back. This peghead is found on low end, turn of the century, Lyon & Healy banjos, often with the L&H or Mystic brand stamped into the strut. . Like everything else, we have seen exceptions to the listed dimensions; especially the nut widths. I own the book and have found it to be an invaluable resource in identifying these old guitars. Like everything else connected to instrument identification issues there are many exceptions. Gibson had changed its neck profiles and headstock shape on the successful J-Series. Mid 1921 through late 1930s: larger base with 2 feet, 3/8 adjustment wheels and wooden compensated bridge top. They generally had birch or walnut back and sides sometimes flat and later (1904+/-) carved. JR3H, like JR, but with 3-piece back, herringbone binding & gold tuners.